the uniqueness of unnamed seeing

The precision of naming takes away
from the uniqueness of seeing.
– Pierre Bonnard

… a short excerpt from Rupert Spira‘s book, Presence, Vol 1, with paintings by the artists he mentions …

– – –

An artist tries to represent, that is, to re-present, to present again a vision of experience that evokes its reality, to make something that has the power within it to draw the viewer into its own reality.

 

Pierre Bonnard: Nude in a Bathtub

That is what the French painter, Pierre Bonnard, was trying to capture: the timeless moment of perception before thinking has divided the world into a perceiving subject and a perceived object and then further sub-divided the object into ‘ten thousand things.’

And what did that vision look like in Bonnard’s view? It was a world brimming with colour, intensity, harmony and dancing with vitality. It was world in which the edge of the bath or an old wooden floorboard were given the same attention, the same love, as were the curve of a cheek or the gesture of a hand.

 

William Blake: Song of Los

It was the same moment that William Blake wanted to evoke. He was once questioned, “When you see the sun rise do you not see a round disc of fire somewhat like a guinea?” And he replied, “Oh no, no! I see an innumerable company of the heavenly host crying ‘Glory, Glory, Glory is the Lord God Almighty.’”

 

J.M.W. Turner: Sunrise with a Boat between Headlands

Likewise, William Turner who is reported to have been returning home from Hampstead Heath with a painting under his arm late one evening, when a local resident stopped him and asked to see the painting. After looking at it for some time the resident remarked, “Mr. Turner, I have never seen a sun set over Hampstead Heath like that,” to which Turner replied, “No, but don’t you wish you could.”

 

Paul Cezanne: Bend in a Forest Road

The body and mind of the artist is the medium through which nature interprets itself to itself. It is the medium through which nature explores and realises its own identity. As Cézanne said, “I become the subjective consciousness of the landscape and my painting becomes its objective consciousness.”

– Rupert Spira

Presence: The Art of Peace and Happiness – Volume 1


Links to related pages and posts on this site:

rupert spira at the artisans’ gallery

paul cézanne

nature’s eternity – an essay on paul cézanne by rupert spira

blake’s eternal delight

artisans

artisans’ gallery

 


Sources of images:
Pierre Bonnard – Nude in a bathtub
William Blake – Song of Los
J.M.W. Turner – Sunrise, with a Boat between Headlands
Paul Cézanne – Bend in a Forest Road


Blake’s eternal delight

When the “old” version of the awakened eye website was being transferred to this site, many shorter pages were edited out.  It seemed they would be better shared as posts.  This is the first – a collection of quotes from William Blake, along with some examples of his artwork.


[Blake] held that the way to truth and higher consciousness was through the contemplation of art. He proposed that by immersing oneself in art, a person could experience it not just as an aesthetic but more akin to the meditative exercise a mystic performs in preparation for achieving a higher state of spiritual enlightenment.

– Leonard Shlain in Art & Physics

[For Blake] every act of the imagination, every union of existence and perception, is a time-space complex … in which time and space as we know them disappear.

– Northrop Frye in Fearful Symmetry: A Study of William Blake


 

The eye altering, alters all.

– William Blake

 

William Blake: Albion Rose, from The Large Book of Designs copy A. © Copyright the Trustees of the British Museum.

 

To see a World in a grain of sand
And a Heaven in a Wild Flower.
Hold Infinity in the palm of your hand
And Eternity in an hour.

 

As a man is, so he sees.
As the eye is formed, such are its powers.

 

If the doors of perception were cleansed, everything would appear to man as it is, infinite.
For man has closed himself up, till he sees all things through the narrow chinks of his cavern.

 

William Blake: Pity, detail. Metropolitan Museum of Art, gift of Mrs. Robert W. Goelet, 1958 (58.603). Photograph © copyright 1979, Metropolitan Museum of Art.

 

First thought is best in art.

 

He who binds to himself a joy
does the winged life destroy;
but he who kisses the joy as it flies
lives in eternity’s sunrise.

 

William Blake: The Marriage of Heaven and Hell, copy C, 1790 (Morgan Library and Museum): electronic edition

 

Every man who is not an artist
is a traitor to his own nature…

 


Find more images and in-depth information here:  siteslab at UNC

UPDATE – See Eric Nicholson’s fine article about William Blake’s vision of The Book of Job at The Culturium – highly recommended.


Drawings of William Blake (Dover Fine Art, History of Art) – Edited by Geoffrey Keynes