Amanda Robins: Dyad 2, 2009
pencil on Arches watercolor paper, 115 x 95 cm
I examine the object as if it was a lover, a book, a document. It is willing to offer everything to me, passively. I am moving closer to the object, as close as I can, and it covers me benignly. Warming me to the world of things.
I layer the pencil marks over one another in light strokes, building up the tones carefully. Light glints softly off the graphite surface. The paper colours and imprints like asphalt, a well-worn pavement with pockmarks and incisions. The paper stump forces the graphite into the craters and valleys of the paper – sliding over the surface – burnishing, embossing. I am entranced by this silvery surface – the powder creates a film, grey and silver clouds forming, the lines of pencil changing and perfecting them. Away from the amorphous, I push the image into my favoured safety net … [t]his is the boundary, the structure which allows me to feel held and absorbed, contained and subsumed.
– Amanda Robins
SECOND/SKINS Exhibition Catalogue
Amanda Robins at the artisans’ gallery
meditative process made visible