the uniqueness of unnamed seeing

The precision of naming takes away
from the uniqueness of seeing.
– Pierre Bonnard

… a short excerpt from Rupert Spira‘s book, Presence, Vol 1, with paintings by the artists he mentions …

– – –

An artist tries to represent, that is, to re-present, to present again a vision of experience that evokes its reality, to make something that has the power within it to draw the viewer into its own reality.

 

Pierre Bonnard: Nude in a Bathtub

That is what the French painter, Pierre Bonnard, was trying to capture: the timeless moment of perception before thinking has divided the world into a perceiving subject and a perceived object and then further sub-divided the object into ‘ten thousand things.’

And what did that vision look like in Bonnard’s view? It was a world brimming with colour, intensity, harmony and dancing with vitality. It was world in which the edge of the bath or an old wooden floorboard were given the same attention, the same love, as were the curve of a cheek or the gesture of a hand.

 

William Blake: Song of Los

It was the same moment that William Blake wanted to evoke. He was once questioned, “When you see the sun rise do you not see a round disc of fire somewhat like a guinea?” And he replied, “Oh no, no! I see an innumerable company of the heavenly host crying ‘Glory, Glory, Glory is the Lord God Almighty.’”

 

J.M.W. Turner: Sunrise with a Boat between Headlands

Likewise, William Turner who is reported to have been returning home from Hampstead Heath with a painting under his arm late one evening, when a local resident stopped him and asked to see the painting. After looking at it for some time the resident remarked, “Mr. Turner, I have never seen a sun set over Hampstead Heath like that,” to which Turner replied, “No, but don’t you wish you could.”

 

Paul Cezanne: Bend in a Forest Road

The body and mind of the artist is the medium through which nature interprets itself to itself. It is the medium through which nature explores and realises its own identity. As Cézanne said, “I become the subjective consciousness of the landscape and my painting becomes its objective consciousness.”

– Rupert Spira

Presence: The Art of Peace and Happiness – Volume 1


Links to related pages and posts on this site:

rupert spira at the artisans’ gallery

paul cézanne

nature’s eternity – an essay on paul cézanne by rupert spira

blake’s eternal delight

artisans

artisans’ gallery

 


Sources of images:
Pierre Bonnard – Nude in a bathtub
William Blake – Song of Los
J.M.W. Turner – Sunrise, with a Boat between Headlands
Paul Cézanne – Bend in a Forest Road


the process of perception is one of creation

Perception underpins all human behavior and helps interpret sensory information to make sense from the senseless. The brain, to create meaning where there is possibly none, processes perception from the unperceived and thought from the unthinkable. The process of perception is in fact one of creation. What we perceive is not what is out there or within. There is no inherent value in the incredibly complex patterns of light that fall onto our eyes, and yet we see coherent forms and motions that enable us to survive. Exploring the nature of perception can help us glimpse life beyond experiencer and experience, perceiver and perception.

Science and Nonduality website

This year’s Science and Nonduality Europe Conference is only 5 weeks away.
Hop over to the website and register now!

SAND_EU13

SAND13 EU – “The Science and Mystery of Perception”
Doorn, May 28th to June 3rd 2013.


Instead of saying, ‘An observer looks at an object’, we can more appropriately say, ‘Observation is going on, in an undivided movement involving those abstractions customarily called “the human being” and “the object he is looking at”.
David Bohm


The observer is the observed.
J Krishnamurti


There is no separate, inside self and no separate outside object, other or world. Rather, there is one seamless, intimate totality, always changing when viewed from the perspective of objects, never changing when viewed from the perspective of the totality.
Rupert Spira


Spira: expressing the inexpressible in clay and haiku

 

Pure intimacy
parted by thought
becomes a self and world

– Rupert Spira

 

Rupert Spira - Deep Bowl

Deep bowl, embossed poem under Chun glaze
23 cm h x 23 cm d

 

… the writing helps create an unfamiliar space where the pot becomes the carrier of the text and the text the carrier of the pot. Words are supposed to float in two dimensions, but here the pot and the text have a strange pull between them. Is the pot commenting on the text?

Spira pushes these ideas hard: this is not about words as decoration. As with Kenzan, there is the knowledge of how to layer meanings, how to play with the images that words bring forth and with the feelings that forms create. By embossing his poems he takes the connection between reading with the eye and reading with the hand to another level of sensitivity.

Rupert Spira knows about the texture of words. This puts him amongst a wonderful, enlivening group of artists and poets from across the centuries. In his new pots with their words ‘embedded like a vein of quartz‘, to use his own phrase, we can see and feel something special is happening.

– Edmund de Waal

 

Rupert Spira - text detail from bowl

Detail showing embossed poem

 


Edmund de Waal is a leading British potter and writer on ceramics. (Edmund is also widely known for his international bestseller  The Hare with Amber Eyes)

This short extract is from: A single line of writing embedded like a vein of quartz
Read the entire essay at Rupert Spira’s website


Rupert Spira at the artisans’ gallery

nature’s eternity

every time I open my eyes


Love is the discovery that others are not others;
beauty is the discovery that objects are not objects.

– Rupert Spira


every time I open my eyes

Every time I open my eyes
I invite the world to take shape
and every time
the world takes shape
I’m invited to open my eyes
and see the world raw,
and naked, holding out its hand
calling me into itself
where I am taken into
the transparency of things …

– Rupert Spira

 

 

Rupert Spira’s website

Video source – netineti media organizers of the science and nonduality conference
(Don’t miss their great youtube channel)


rupert spira at the artisans’ gallery

cézanne and nature’s eternity

art and consciousness

spira – expressing the inexpressible in clay and haiku

the process of perception is one of creation


art and consciousness

Chris Hebard from Stillness Speaks interviews ceramicist and nonduality writer Rupert Spira.

Where is beauty located?

A dialogue about art, consciousness, advaita and nonduality, this video is a must-see. I’ve been trying to upload it onto the blog for ages now – guess I’m seriously lacking some tech skills.

Never mind – you can hop over to Rupert’s website and watch it there, or visit Stillness Speaks and watch it – plus others – there.  And I’m sure Rupert  and Chris will enjoy your feedback …

Enjoy!