the zen of camerawork

Gratitude to Roy Money for his thoughtful offer to share his article Minor White and the Quest for Spirit here, knowing it would be of great interest to readers of this site, and also to Christine Cote, editor and publisher of Still Point Arts Quarterly where the article first appeared. This post is a teaser – you’ll have to click through to the page to read the whole article and view more of White’s photographs. You will not be disappointed!
 

Minor White - Empty Head, 1962

 

Minor White was one of the most influential photographers of the 20th century and he generated considerable controversy in his last years for the promotion of spirituality. I met him early in my introduction to photography and admired his work. I recently renewed my interest in him because of a developing involvement in Zen practice and efforts to explore spirituality in relation to my own photographs.

Minor was not only an important artist but also a teacher, editor and curator, and his language of spirit and spirituality came at a time when it had declining credibility in the art world. Though this language had a certain resonance within the wider cultural scene of the sixties it was an early and continuing theme for White that was no doubt stimulated by the challenge of living as a homosexual in an era before gay rights. Spirituality has long been associated with finding relief from the misfortunes and injustices of the social world, as well as finding purpose in the midst of uncertainty and doubt. Of course spirituality has also been an ageless source of inspiration for artists exploring the uncharted domains of human awareness and creativity.

Many people are unaware of the importance of spiritual and metaphysical issues in the development of modernist art. Indeed there was a reluctance of many artists to talk about this, for fear it would be misunderstood. Picasso is credited with saying “Something sacred, that’s it… We can’t say that… people would put a wrong interpretation on it. And yet it’s the nearest we can get to the truth.” (Lipsey) In that sense Minor White’s concern with spirituality was mostly notable because of ways he made an issue of it. […]

– Roy Money, Minor White and the Quest for Spirit

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Image: Photograph by Minor White, Empty Head, 1962
Sourced from the public domain.


Related pages and posts on this site:

John Daido Loori – let your subject find you

Minor White – equivalence: the perennial trend

Deborah Barlow – the daylighting has begun

Roy Money at the artisans’ gallery


the radiance of things as they are

New at the artisans’ gallery – photographer Roy Money

 

Roy Money - Beech Interior

Beech Interior

 

One of the most revered figures in Zen is Eihei Dogen, a 13th century Japanese Zen master who wrote that “Seeing forms with the whole body and mind, hearing sounds with the whole body and mind, one understands them intimately.” How is it possible to notice the radiance of things as they are and convey something significant of that close encounter? Certainly acute attention and some moments of grace are a part of the process.

For some artists and philosophers nature exhibits a kind of intelligence – not mind in the conventional sense but in the systematic interaction and self regulation of differentiated parts – the mind of mountains and rivers and the body they inhabit, and the intricate complexity of their innumerable relations. A rather different kind of mind than the usual meaning of the word, but a kind that resonates with my sense of the world.

– Roy Money


website


Roy Money at the artisans’ gallery


related:

be not afraid of beauty

Milosz, Lawrence, Einstein and Adyashanti on nondual awareness

the dance of Me and Mu