who sees the tree?

 

Piet Mondrian: The Red Tree (Evening), 1908 - 10, Oil on Canvas

Piet Mondrian: The Red Tree (Evening) 1908 – 1910

– – –

Look outside at the sleeping tree there. Who sees the tree?

… Does a body do the seeing or does awareness, consciousness, life see it? What sees the tree? Consciousness? – or a body-centered custodian of consciousness?

Where is the tree? Fifty-seven feet removed from a body-oriented ego-container of awareness, a judge who likes or dislikes what he sees? – or is the tree within awareness? Is the seeing of the tree the activity of a separate-from-the-thing-I-see recipient-of-life, a so-many-year-old male or female pump filled organism who looks out through bloodshot eyes and answers to the name of Bill? – or could it be that it is Deity being the “seeing”?

Indeed, isn’t it just possible that Isness, Reality, God, is the seer “seeing” and being the seen? Could it just be that “seeing” itself is the identity “we” are?

Could we be Life itself rather than the recipient of it? Indeed we can! We are!

– William Samuel, The Awareness of Self-Discovery


In order to understand the true meaning of Abstract Art,
we have to conceive of ourselves as a reflex (reflection) of reality.
This means we have to see ourselves as a mirror in which reality reflects itself.
– Piet Mondrian


Image source: www.pietmondrian.info


at last I don’t know how to draw!

 

Henri de Toulouse-Lautrec: Ce qui dit la pluie

Henri de Toulouse-Lautrec: Ce qui dit la pluie

 

This morning I read a beautiful expression of encounter with flow – or undivided awareness – in the activities of music-making and drawing. I’d like to share it with you. It reminded me of Henri de Toulouse-Lautrec’s famous comment, as quoted by Henri Matisse:

At last I don’t know how to draw!

Unfortunately I can’t offer a sample of his music, or an example of the drawings, but here’s the ‘confession’ – from Dustin LindenSmith, one of the editors of the brilliant online Nonduality Highlights daily newsletter. It articulates to perfection the focus of this website and blog …

I had two quite glorious epiphanies this week while practicing two of my main passions: jazz tenor saxophone and drawing. In each case, I experienced several blissful moments of what behavioural neuropsychologist Mihaly Csikszentmihalyi calls flow.

While playing a slow blues in B-flat with my Hammond B3 organ quartet, I felt the music come through me completely unhindered, without any of my own conscious psychological involvement. For three or four minutes, I became lost in physical time and space, just hearing the notes of my saxophone being played to me as if in a dream. Improvising jazz can be a terribly cerebral exercise when playing a complicated tune. But in this instance, I exercised no personal interference with the notes that were played; they just flowed naturally through me, without my control.

Later in the week, while sketching somewhat aimlessly, I realized that if I changed my hand position a certain way and then removed my brain’s focus from the motor control of my hand, I could just “see” the image I wanted to draw in my mind’s eye, and watch my whole arm move in harmony with what I was seeing. As long as I maintained my focus of awareness on the “seeing” instead of the “drawing,” the image I saw in my mind was exactly replicated in graphite on the page. But “I” didn’t “do” a thing to draw it. It just happened.

The common aspect of both of those experiences? I think I was just getting out of my own way. For several glorious minutes this week, I got completely out of my own way, and let life be lived as it always is, but without my own conditioning or desires or influences laid on top of the experience.

Dustin LindenSmith


The artisans whose work is featured in this site’s artisans’ gallery all speak – in varying ways – of their practice in these terms. They notice that their creativity depends on nothing so much as their absence.They speak of a mysterious immersion in their work to the point of personal disappearance; a nondual encounter where observer and observed, subject and object, cease to be nouns separated by time and space, and are replaced by creative, dynamic action – by seeing, drawing, painting, making…

Are you familiar with this ‘flow’ in your creative work, your passion – or in your life in general? How would you express your experience?


seeing/drawing as meditation

perceiving without naming

waking up to wonder


… totally alive and totally in love

 

Amanda Clark: The Garden

 

This book will touch the very essence of who you really are, an essence which is the oneness of all life.  It is a journey to the eternal presence of life itself.  At the heart of life there is a simplicity that is beyond words.  So this is really a book about something that cannot be put into words but will bring you close to knowing what the unknowable is:  The vital essence behind everything, where nothing announces its presence.  It is not a book about anything or how to gain something.  Moreover, it is a play on words, a timeless fable, a dream within a dream, which gently arouses an inner knowing as you read.  It is about being totally alive and totally in love.  The Garden presents visions that a child could understand but not the rational mind.  Beyond logic, beyond rationality, beyond thought itself, there is a presence, where all things manifest, and the words in this book will carry you there… but you will need to leave your logical mind behind if you are to truly awaken from the dream of duality.

Language cannot describe what cannot be spoken.  But perhaps when used in a creative and imaginative way, [it] can help direct you toward that timeless, boundless open space of non duality.  You don’t really need to understand anything.  Beyond understanding, beyond misunderstanding, there is a knowing that will arise all by itself.

The Garden: A Non Duality Love Story
written by Robin Craig Clark and divinely illustrated by Amanda Clark

Download this free ebook at Robin Craig Clark’s website

And see more of Amanda Clark’s work at her earthangelsart website

Image: detail from the book’s cover, by Amanda Clark


the leaf’s budding and dying are my own!

 

Leaf and drawing - artist unknown

 

When I am totally absorbed in drawing … and have become leaf or grass, when the split between I-as-subject and It-as-object is bridged … I am now in touch with the process of Life itself. The leaf’s budding, unfurling, wilting and dying are my own! For however short a span, IT – instead of Me – has become the center of my universe. It is no longer a thing observed: but an ever-changing, ever-fleeting mystery, which, like myself, flashes past at the speed of light. Then, in this flashing Now, I may glimpse Reality, I may recognize the Self, that Original Face I share with all that is; I may glimpse the Buddha Nature: the Pearl of Great Price.

– Frederick Franck
The Awakened Eye


frederick franck at the artisans’ gallery

the Face of faces

seeing-drawing as meditation

the 10 commandments