Blake’s eternal delight

When the “old” version of the awakened eye website was being transferred to this site, many shorter pages were edited out.  It seemed they would be better shared as posts.  This is the first – a collection of quotes from William Blake, along with some examples of his artwork.


[Blake] held that the way to truth and higher consciousness was through the contemplation of art. He proposed that by immersing oneself in art, a person could experience it not just as an aesthetic but more akin to the meditative exercise a mystic performs in preparation for achieving a higher state of spiritual enlightenment.

– Leonard Shlain in Art & Physics

[For Blake] every act of the imagination, every union of existence and perception, is a time-space complex … in which time and space as we know them disappear.

– Northrop Frye in Fearful Symmetry: A Study of William Blake


 

The eye altering, alters all.

– William Blake

 

William Blake: Albion Rose, from The Large Book of Designs copy A. © Copyright the Trustees of the British Museum.

 

To see a World in a grain of sand
And a Heaven in a Wild Flower.
Hold Infinity in the palm of your hand
And Eternity in an hour.

 

As a man is, so he sees.
As the eye is formed, such are its powers.

 

If the doors of perception were cleansed, everything would appear to man as it is, infinite.
For man has closed himself up, till he sees all things through the narrow chinks of his cavern.

 

William Blake: Pity, detail. Metropolitan Museum of Art, gift of Mrs. Robert W. Goelet, 1958 (58.603). Photograph © copyright 1979, Metropolitan Museum of Art.

 

First thought is best in art.

 

He who binds to himself a joy
does the winged life destroy;
but he who kisses the joy as it flies
lives in eternity’s sunrise.

 

William Blake: The Marriage of Heaven and Hell, copy C, 1790 (Morgan Library and Museum): electronic edition

 

Every man who is not an artist
is a traitor to his own nature…

 


Find more images and in-depth information here:  siteslab at UNC

UPDATE – See Eric Nicholson’s fine article about William Blake’s vision of The Book of Job at The Culturium – highly recommended.


Drawings of William Blake (Dover Fine Art, History of Art) – Edited by Geoffrey Keynes


ineffable: joy

Transcending cynicism and irony – new paintings by Claude Smith

 

Claude Smith: Joy

 

Claude Smith, a native New Yorker, has been committed to the process of painting for nearly fifty years.  Art, and painting in particular, has been a means of examining life, and his place in the world.  On what Smith calls his “path of obscurity”, he has chosen to explore the boundaries of life and death, form and emptiness, and impermanence.  His primary influences are Taoist philosophy, the natural world, Zen calligraphy, jazz, and the music of 20th century composers like Toru Takemitsu, and John Cage.

Smith’s current body of work emerged out of his dialogues with musician and writer, Richard Osborn. Smith was questioning the function of painting in today’s world, positing that photography, film, video, and audio were far more potent mediums for story telling, and for making social and political statements … leaving painting to do, what?  That discussion led Smith to examine the concept of “Joy”, which seems to be well represented in the realms of music, dance, theater, literature, and film, but conspicuously absent in the history of painting.  “Why is that?  Is it too difficult to access and find a means to express “Joy”?  Is it socially unacceptable?  Not hip enough?  Not cynical or hard-edge enough for today’s culture?, Smith wondered.

Never bound by art-world trends, Smith set sail for what was personally unfamiliar territory, in search of unspeakable joy and a way to authentically communicate his experiences.  The resulting series of paintings are visceral, energetic and joyful expressions of color, rhythm and form.

Gallery MUJO, 548 South Spring St, Los Angeles, Ca.
February 4-29, 2012. Reception: February 18, 5-8 p.m.
http://tinyurl.com/ineffableshow


Claude Smith’s website


miró, joy and claude smith

claude smith at the artisans’ gallery


the courage to move into the unknown

New at the artisans’ galleryCarole Leslie

 

Carole Leslie: Where the Wild Things Live

Where the Wild Things Live
acrylic on matte board  3.75″ x 4.5″

 

Making art part of my spiritual practice offers me the opportunity to see how I work with frustration, how I work with fear, what brings me joy and equanimity, how each brush stroke is really about having the courage to move into the unknown, to not be attached to outcomes.

The exploration of what comes out from the inside and presents itself on canvas is nothing, if not a primer in getting to know this self and by extension all the other selves I meet in my daily travels.

– Carole Leslie

zendot studio


carole leslie at the artisans’ gallery

zen arts


the love of the inexplicable

New at the artisans’ galleryDouglas O Smith

 

Douglas O Smith: Sweeping Foliage

Sweeping Foliage

 

I have been attempting to describe my search for the love of the inexplicable using my hands and eyes for over 40 years now.

– – –

I am not interested in hiding behind an intellectual supposition and I am certainly not interested in shocking the viewer with my provocations, except perhaps of a quiet gentle nudge to see the possibility of a greater realm in our perceptions.

I am interested in making a space where people can see perhaps love, perhaps beauty, perhaps joy. To me this is where the changes can happen. My gods are the great poets who reach for the sublime ethers. This mining for the greater gold is what keeps me going.

– Douglas O Smith

douglasosmith.com


douglas o smith at the artisans’ gallery