one is the vast space itself

Photograph by Jerry Katz

 

If, in any painting or photograph, a person is depicted as very small within a wide space of nature, there is a possibility that the viewer will recognize that small form as one’s self and that this self is not separate from the vast space.

That is to say, such a picture may inspire the realization that one is the vast space itself.

When it is recognized that the vast space contains the form and that one is both the vast space and the form — at the same time — this is a realization of nonduality.

– Jerry Katz

 


Reblogged from Jerry Katz’s treasure trove of nondual expression:

nonduality.org

Jerry, whose contributions to this site go back to its launch in 2007, has agreed to pen a guest post in the near future. This is something to look forward to!

In the meantime, have a look at these pages:

what is this nonduality?

a parade of nondual perspectives


 

the sudden stillness of deep interconnectedness

Given that the editor of this site is indebted for much of her understanding of the dynamics of creativity to a noted physicist – David Bohm – it’s an unbounded delight to welcome a physicist with a passion for photography to the artisans’ gallery.

Andy Ilachinski‘s eye ranges over a vast and varied array of phenomena – he tends to leave his photographs untitled, preferring to group them instead into portfolios with titles such as Tao, Micro Worlds, Abstract Glyphs, Mystic Flame, Ice Abstracts, Synesthscapes, and various geographical locations.

On his page, he shares with poetic nuance the way his knowledge and understanding of the micro-universe informs his practice of photography, ultimately delivering him into “deep interconnectedness”.

 

Andy Ilachinski - Micro Worlds portfolio

 

I am, by training and profession, a physicist, specializing in the modeling of complex adaptive systems (with a Ph.D. in theoretical physics). However, both by temperament and inner muse, I am a photographer, and have been one for far longer than my Ph.D. gives me any right to claim an ownership by physics. Photography became a life-long pursuit for me the instant my parents gave me a Polaroid instamatic camera for my 10th birthday. I have been studying the mysterious relationship between inner experiences and outer realities ever since.

– Andy Ilachinski

… continue reading at Andy’s page


Other photographers featured at the artisans’ gallery:

john daido loori
dan dhruva baumbach
karen divine
roy money
dennis cordell
mitchell doshin cantor
lisa gakyo schaewe
ron rosenstock


the essential and indivisible fabric of reality

Announcing two exciting additions to the site today.

The artisans’ gallery welcomes artist, teacher and writer Jordan Wolfson, who lives in Boulder, Colorado. (What is it about Colorado? It’s strongly represented in the gallery!)

And – Jordan’s insightful and inspiring essay how painting can help to save the world, actually, has been posted as a page, with his generous permission.

 

Jordan Wolfson: Still Life with Red Tapestry X

Still Life with Red Tapestry X, 2013
oil on linen, 28″ x 25″

 

About his work, and the investigation fuelling its process, Jordan writes:

I believe it is through the identification of the self with a pre-conceptual and pre-linguistic sense of being that actual change occurs.  While our identification remains within the confines of discursive thought and language our model of the world remains one of fragmentation and conflict.  Language isn’t to blame – it’s just the way it works.

Actual change occurs through a shift in our identification of the self and the growing awareness of the essential and indivisible fabric of reality.  It is to an investigation of this sheer presence, which is not only pre-conceptual but also resides before and between form, that my work is committed.

Visit his page at the gallery to read his entire artist’s statement and view more of his artworks.


 how painting can help to save the world, actually

In this image-rich essay, I’m confident Jordan speaks for all of us who understand our practice as a passionate movement towards unity with something inconceivably larger than our programmed personality. Something that signals the end of fragmentation and disharmony by disappearing the illusory gap between the observer and the observed.

A couple of extracts:

What is presence? And how does it get associated with an object? What is the process with which material gets charged or imbued with it? How is it that a human being can take colored mud, smear it around on a piece of fabric and end up charging the materials so greatly that it resonates with vitality hundreds of years after the person is long gone? How is it that a human being can take raw material and form it in such a way that it moves our hearts and quiets our minds? And what does this have to do with saving the world? […]

We are not who we think we are. Painting carries the possibility of getting us out of our minds and into an awareness of our being. That is what occurs when we receive a painting, whether from another’s hands or from our own. The reality of our experience facing great painting, the power and force of transmission remains a mystery as long as we remain in the story of Separation. As we dare to allow our minds to enter into the story of Interbeing, painting affirms the larger truth of this new story. Its essential nature re-storys the world, reimagining who we are and where we are going. As we paint we have the possibility to not only make an object to look at, but to retell our story. […]


http://jordanwolfson.com


I am becoming the paint itself

Barbara O’Sullivan
Whangarei, Aotearoa-New Zealand

 

Barbara O'Sullivan: No Beginning No End Of Beginning

No Beginning No End Of Beginning (detail)
6 panels, each 92 x 61 cm, PVC and Acrylic on canvas

 

The studio is the place where there are few rules and so my practice is based on the question ‘what will happen if’’?  Trying to pin down the opposites of figure and ground is fraught with the frustration of trying to solve a nonsensical problem, however, I have discovered that the language of paint is such a subtle and magical thing that it is able to speak for me.  The energy I bring to the painting studio is transmuted into the work itself and becomes the life of the paint.  Each time I lay down a colour, spread and mingle different tones, explore the effects of texture and make decisions about presentation, I am becoming the paint itself and it becomes my voice.  There develops an awareness that the paint, the painting and the painted merge into one and the sense of separateness dissolves.  The clear PVC sheet becomes a membrane, a thinly spread division between the temporal and spiritual, which then dissolves because it too, is empty.

– Barbara O’Sullivan


Continue reading at Barbara’s page in the artisans’ gallery

Source:  Extracts from Painting the Paradox of Emptiness – Barbara O’Sullivan’s dissertation for her Master of Fine Arts Degree.  This document can be downloaded from the artist’s website, and is highly recommended.

Images and text © copyright Barbara O’Sullivan

Website


at last I don’t know how to draw!

 

Henri de Toulouse-Lautrec: Ce qui dit la pluie

Henri de Toulouse-Lautrec: Ce qui dit la pluie

 

This morning I read a beautiful expression of encounter with flow – or undivided awareness – in the activities of music-making and drawing. I’d like to share it with you. It reminded me of Henri de Toulouse-Lautrec’s famous comment, as quoted by Henri Matisse:

At last I don’t know how to draw!

Unfortunately I can’t offer a sample of his music, or an example of the drawings, but here’s the ‘confession’ – from Dustin LindenSmith, one of the editors of the brilliant online Nonduality Highlights daily newsletter. It articulates to perfection the focus of this website and blog …

I had two quite glorious epiphanies this week while practicing two of my main passions: jazz tenor saxophone and drawing. In each case, I experienced several blissful moments of what behavioural neuropsychologist Mihaly Csikszentmihalyi calls flow.

While playing a slow blues in B-flat with my Hammond B3 organ quartet, I felt the music come through me completely unhindered, without any of my own conscious psychological involvement. For three or four minutes, I became lost in physical time and space, just hearing the notes of my saxophone being played to me as if in a dream. Improvising jazz can be a terribly cerebral exercise when playing a complicated tune. But in this instance, I exercised no personal interference with the notes that were played; they just flowed naturally through me, without my control.

Later in the week, while sketching somewhat aimlessly, I realized that if I changed my hand position a certain way and then removed my brain’s focus from the motor control of my hand, I could just “see” the image I wanted to draw in my mind’s eye, and watch my whole arm move in harmony with what I was seeing. As long as I maintained my focus of awareness on the “seeing” instead of the “drawing,” the image I saw in my mind was exactly replicated in graphite on the page. But “I” didn’t “do” a thing to draw it. It just happened.

The common aspect of both of those experiences? I think I was just getting out of my own way. For several glorious minutes this week, I got completely out of my own way, and let life be lived as it always is, but without my own conditioning or desires or influences laid on top of the experience.

Dustin LindenSmith


The artisans whose work is featured in this site’s artisans’ gallery all speak – in varying ways – of their practice in these terms. They notice that their creativity depends on nothing so much as their absence.They speak of a mysterious immersion in their work to the point of personal disappearance; a nondual encounter where observer and observed, subject and object, cease to be nouns separated by time and space, and are replaced by creative, dynamic action – by seeing, drawing, painting, making…

Are you familiar with this ‘flow’ in your creative work, your passion – or in your life in general? How would you express your experience?


seeing/drawing as meditation

perceiving without naming

waking up to wonder