Tai Carmen at Parallax Journal has written a post that’s inspired me to do something new (for me) – click the reblog button.
My studies in Japan introduced me to the concept of Wabi-Sabi and my heart took to it like a moth to a flame. It was in Kyoto that I found Leonard Koren’s book Wabi-Sabi: for Artists, Designers, Poets & Philosophers– a magnificent companion for me during my days in Kyoto as well as the more remote regional areas I visited.
“To find beauty in imperfection is not intuitive to the Western mind.” We race after what should be, and romanticise what was, ensuring that we rarely see what is. Wabi-Sabi turns our perception towards what is, and more. It treasures it. There is great fulfilment in this.
Thank you Tai.
“Wabi-Sabi is a beauty of things imperfect, impermanent & incomplete.” ~ Leonard Koren
“Wabi is the beauty that springs from the creative energy that flows in all things, animate or not. It’s a beauty that, like nature itself, can appear with dark and light, sad and joyful, rough and gentle.” ~ Makoto Ueda
“Beauty is radiant and tactile, not airbrushed.” ~ Joe Hefferon
The term Wabi-Sabi represents a Japanese aesthetic philosophy that embraces authenticity over perfection.
Characterized by asymmetry, irregularity, simplicity, economy, austerity—modesty & intimacy—wabi-sabi values natural objects & processes as emblems of our transitory existence. Rust, woodgrain, freckles—the texture of life.
Developed in the 15th century in reaction to the lavish, ostentatious ornamentation of the aristocracy, wabi-sabi centers around three principals: “nothing is perfect, nothing lasts, and nothing is finished.”
“The initial inspiration for wabi-sabi’s metaphysical, spiritual, and moral principles come from ideas about simplicity…
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