The artist has to re-present our world of conceptualised objects, separated and extended in space and time, as it really is. He has to reinterpret our model of reality in line with direct experience and to convey this ‘taste of eternity’. We could call this twofold activity contemplation and creativity. Contemplation is the passive aspect; creativity is the dynamic aspect. These are two inseparable aspects of consciousness.
I reasoned that if these two elements – the presence of an object in itself and the consciousness to which it appears – are essential ingredients of every object, there must be a relationship between them. So I began to explore the relationship between consciousness and its object, between that which sees, hears, feels and thinks and that which is seen, heard, felt and thought about. I reasoned that if there is a distinction between the two, there must be some perceivable interface or border between them. I looked for such a border between the subject and its object, but could not find one.
– Rupert Spira